Posted on 4 Comments

Fujica ST605 Test Roll Review

Fujica ST605 Vintage SLR Film Camera and Fujinon 55mm 1:8 Lens ReviewI recently bought this camera to purposely do a light seal replacement tutorial for a good customer. It sure was great fun to do, the tutorial can be seen here.

I enjoy using slr’s as a general walk around camera and especially for events/shows. Most often I will reach for my Canon FTb QL which I use with the P mount converter and Carl Zeiss lenses which have the M42 mount. A quick look in the local rag revealed the Gosporteers Auto Show coming up, personally I could not think of a better opportunity than to get acquainted with the Fujica ST605 and what a surprise it was!

The Fujica is noticeably smaller than the Canon but oddly it’s body weighs only 20g less, either that or I need a new set of scales. Let’s not compare the technical differences but just deal with how the camera felt and performed in comparison. Loading film is different and I have to say I prefer the simplicity of Fujica over Canon’s “has it grabbed the film” Quick Load system.

With film loaded in the camera and a nice original 70’s strap attached off I went looking for likely candidates to photograph. The camera felt great to hold and I was snapping away without familiarising myself with the operators manual, not many cameras you can do that with. The meter I found very simple to use, although I did forget to compensate for using 1.45v batteries. Unfortunately my test photo’s came out slightly underexposed, although one thing confirmed is that the replacement light seals were doing their job.

Taken with Fujica ST605 Vintage SLR film camera and Fujinon 55mm 1:8 Lens

I always like to use the depth of field focus button, its of great help in getting an idea of how much will be in focus and the Fujica has the button placed in a very comfortable position. Because it was a slightly over cast day with sudden bursts of sunlight, I shot mostly at large apertures and the DOF button was used quite a bit. I always find the Canon FTb stop down, (DOF) button or whatever you want to call it a bit cumbersome to use. So again this is a thumbs up for the Fujica.

1934 Austin Taken with Fujica ST605 Vintage SLR film camera and Fujinon 55mm 1:8 LensMy only gripe was when the sun did come out I found myself wanting to select a faster shutter speed while keeping a shallow DOF, unfortunately the Fujica ST605 fastest shutter speed is 1/700. This was very disappointing as I felt forced to use a smaller aperture which gave me an undesirable larger DOF. This is where the canon FTb has a slightly upper hand.

Ford Taken with Fujica ST605 SLR vitage camera and Fujinon 55mm 1:8 LensI have to admit though I’ve had great fun with this camera as you can see and that my perception of the older Fujica’s SLR’s has changed as a result of the ST506. In fact so much so that I am going to treat myself to the next model up, the higher end Fujica ST801 and only because it has the faster shutter speeds I was looking for on this camera.

Swamp Bitch Taken with Fujica ST605 vintage SLR film camera and Fujinon 55mm 1:8 LensI really didn’t expect much from this camera but the ST605 really does pack a punch for a medium end SLR and it certainly gives the canon FTb a run for its money. It really has made me think that if the ST 801 proves to be as good as its smaller sister then it might be goodbye to my old friend the FTb. That said I won’t sell the FTb as I’m sure I can find a box, cupboard or maybe draw to hide it in.

Austin Mini Taken with Fujica ST605 vintage SLR film camera and Fujinon 55mm 1:8 Lens

Test Roll;

  • Fomapan 200

Develop details;

  • d-76 1:3
  • 24c
  • 12 minutes
  • Agitation first 30 seconds then once every 30 seconds

Lens used;

  • Fujinon 55mm 1:8
Posted on 4 Comments

Fujica ST605 Camera Light Seal Replacement

Fujica ST605 Camera Light Seal Replacement

Camera light seals are straightforward and require no real skill to replace. To prove this my eight-year-old son has achieved camera light seal replacement with great success, under a little guidance of course!

Please do follow the instructions carefully and take great care as you go; knives are sharp and cleaning products can do damage.
As with many online tutorials, please observe the following disclaimer: Milly’s Cameras cannot be held responsible for any accidents or damages to persons or goods, so please use this tutorial at your discretion.

Time Taken; 40 minutes

Tools and Materials needed;

The green lines on the following photos show where the old light seal foam will need cleaning. Usually, I start by placing masking tape over the opening for the shutter curtains. Be careful not to press onto the curtains and focus solely on the outer frame; this helps to stop old sticky light seal foam from entering this area and jamming the curtains.

Fujica ST605 light seal replacement

Then, using the window cleaner or lighter fluid, I start cleaning to begin to soften the light seal foam. Make sure you do not flood the area, rather you just need enough product to help loosen the old foam. With the use of a cloth, start to clean the hinge area and backdoor. Once clean, I use a toothpick to focus on the thin channels (top and bottom of the film compartment). This step is time consuming and can be tricky so be patient and avoid rushing.

Fujica ST605 light seal replacement

The final areas to clean are the door and catch area, as seen in the photo above. Once all of the areas listed are cleaned – with the exception of the mirror damper which we will address later – you are ready to start cutting new light seal foam.

Cutting the light seal foam is relatively simple and doesn’t require a laser cutter, as is sometimes assumed. For the cutting, we will start with the channels and will be using the 1.5mm closed cell for these tracks.

Cutting light seal foam thin strips

There are two main reasons for using the closed cell over any other foam. Firstly, my foam is modern foam that will do the same job as the original foam compared to compression values and also by density in blocking the light. The closed cell also has the added bonus of high resistance to avoid it perishing over time. The other main reason is that it can be easily cut by hand to extremely thin strips; in the case of this camera to 1.75mm in width as seen in the photo’s to the right.

One tip for my customers is to use a scalpel with a new blade and a steel ruler. Using the appropriate tools – and avoiding scissors, craft/hobby knives, kitchen knives or any other inappropriate cutting implement – is my best advice on how to cut the foam successfully.
I begin by cutting the tracks for the top and bottom channels. You will need to use the 1.5mm closed cell foam, cutting two strips 1.75mm wide and 1.48mm long. These will need to be trimmed further to allow for the film counter pin on the top channel and the film canister cut out for the bottom channel.

Fujica ST605 light seal replacement

Cut 9mm off the end of one of the strips and place this piece in the top channel, from the door hinge to the film counter pin. To place these strips in the tracks, remove the adhesive backing and lick the adhesive. This will deactivate the adhesive long enough to allow you to position the foam correctly with the use of a toothpick.

Once the saliva has dried, which will take approximately 20 minutes, the foam can be pushed down so that the adhesive makes contact. Remove 5mm off the rest of the trimmed strip and disregard this small piece. Place the rest of the strip in the top channel, starting from the other side of the camera.

Again use your saliva to deactivate the adhesive and push in using a toothpick. Repeat the above steps for the bottom channels. Cut the strip down to two pieces, one at 1.22mm and the other 17mm long. The 17mm long piece will go from the left hand side to the cut out for the film canister; the other piece will go from the door hinge end back to the cut out.

Next, cut two pieces from the 3mm open cell foam, 49mm x 6.5mm for the door hinge and 49mm x 6mm for the door at the catch end. Remove adhesive backing sheet and stick in place. Please note that there are two small pieces either side of the catch which need to be cut from the 1.5mm foam. The sizes for these are 4mm x 24mm and 4mm x 18mm. To stick these in place, remove the backing and give the adhesive a lick and then position using tweezers. 3mm foam may seem too thick for these areas – and with standard foams it usually is – however my open cell foam has a good compression rate with a minimal stress factor and a high cell count to block light while still compressing down to 0.3mm (-+0.1mm).

Fujica ST605 light seal replacement

The next step is to do the mirror damper foam, which requires great care to be taken. One friend once told me that he placed paper inside the mirror housing to stop old foam from falling inside however I strongly urge you not to do this; this can actually cause more damage than sticky foam will. Having replaced 1000s of mirror damper foam, care and patience is all that is needed to avoid any issues.

Camera mirror damper foam replacement

My technique is to place the camera in one hand and hold it up over scrap paper, high enough for me to see what I am doing. With the other hand, I use a toothpick to scrape the old foam away, letting it fall onto the scrap paper. Once all the lose is removed, I use my scalpel and tweezers to further clean the area. Though do remember to change the scalpel blade and clean the tweezers after using them!

Once clean, cut a replacement piece from the 3mm. The piece should be 38mm x 3mm. Once cut, remove the back, lick and use the tweezers to place the foam in its correct place.

Once this is done, remove the masking/decorator’s tape and give the camera a light clean. And voila! Your Fujica ST605 is finished and ready to load up with film to test.

Click to see test photo’s.

Posted on 3 Comments

How to Repair a Leaking Film Developing Tank

Developing Tank Leak Repair

How to Repair a Leaking Film Developing Tank

If you’re a photographer, you know that developing tanks are essential for processing film. But what happens when your developing tank starts to leak? Don’t worry, it seems to be a common problem, and you can fix it yourself with a few simple steps.

Here’s what you’ll need:

  • A leaking developing tank
  • Silicone sealant
  • Masking tape
  • Water and washing liquid solution in small cup
  • A clean cloth


  1. Clean the developing tank thoroughly.
  2. Apply a strip of masking tape along the bottom of the red band on the developing tank.
  3. Apply another strip of masking tape about 5mm below the red band.
  4. Squeeze a bead of silicone sealant in between the two strips of masking tape.
  5. Smooth out the bead of silicone sealant with a wet finger dipped in water and washing liquid solution.
  6. Allow the silicone sealant to dry completely.

Once the silicone sealant has dried, your developing tank will be leak-proof. You can now use it to develop film without worry.

Developing Tank Repair
Developing Tank Fix
Developing Tank No More Leaks

Here are some additional tips for repairing a leaking developing tank:

  • Make sure the developing tank is clean before you start. Any dirt or debris can interfere with the bonding of the silicone sealant.
  • Apply the silicone sealant evenly. A thick bead of silicone sealant will take longer to dry and may not be as effective as a thin bead.
  • Smooth out the silicone sealant with your finger. This will help to create a smooth, even surface that will be less likely to leak.
  • Allow the silicone sealant to dry completely before using the developing tank. This will ensure that the sealant is fully cured and that the developing tank is leak-proof.

By following these simple steps, you can easily repair a leaking developing tank and get back to developing film.

Posted on Leave a comment

100 Years since first Compur Shutter was Introduced

Compur ShutterIn August 1962 a note was passed from the Friedrich Deckel firm to the UK’s Amateur Photographer Magazine reminding them that it was 50 years this month since the first Compur shutter was introduced.

Although patents were applied for in 1910 for a Compur type shutter, it seems it took two years before they became commercially available in 1912.

Prior to Compur leaf shutters Friedrich Deckel and most notably Christian Bruns had been working on what was considered later their rather unreliable Compound leaf shutter which they developed ten years earlier in 1902. The Compound shutter utilised an air brake, (cylinder with piston) to control shutter speeds, where as the new Compur shutter used a train of gears in a clockwork fashion, hence where the name Compur is derived from. “Compur”, a fusion of “Compound” and “Uhrwerk”, the German word for “clockwork”.

The Compur shutter was not only at the time state-of-the-art but it remained so until the 1970s when film material with a higher tolerance to light exposure variations came onto the market. Over the years the Compur shutter had seen many developments from the original Dial Set, where a dial was employed above the shutter to set speeds, also known as the Rim Set, (as seen in the image above left). The Dial Set was introduced in 1927 and a year later in 1928 saw the introduction of the Compur S with extra gears to control a self timer for shutter release. In 1935 the Compur Rapid was released and as the name suggests it incorporated faster shutter speeds of 1/400 for the #0 sized shutter and 1/500 for the #00. The last of the most notable developments came after World War II around 1953 with the introduction of the Synchro-Compur, a shutter which was synchronised for flash use.

Through out this time Deckel saw direct competition from Gauthier with their early Koilos shutter and later Prontor shutter. Its recorded that during the boom of  leaf shutter production of 1957-60 Gauthier employed 3250 workers and had a daily output of 10.000 shutters while Deckel Compur Works employed just 1,500, suggesting that its shutter production for this period was less.

The Compur leaf shutter has definitely stood its place in time and not surprisingly a refined design of it is still used today by Hasselblad cameras.


Amateur Photographer Magazine 15th August 1962
Modern Mechanix; How a Camera Shutter Works. February 1938
Up and Down with Compur